Broadcast and Post Production Monitors are display devices similar to television sets, used to monitor the output of a video-generating device, such as playout from a video server, IRD, video camera, VCR, or DVD player. It may or may not have professional audio monitoring capability. Unlike a television set, a video monitor has no tuner (television) and, as such, is unable independently to tune into an over-the-air broadcast like a television receiver.
The global market for Broadcast and Post Production Monitors was estimated to be worth US$ 261 million in 2023 and is forecast to a readjusted size of US$ 329.8 million by 2030 with a CAGR of 3.2% during the forecast period 2024-2030
Broadcast and post-production monitors are indispensable tools in the broadcasting, television, and film industries. With the widespread adoption of new technologies such as high definition (HD), ultra-high definition (UHD), and high dynamic range (HDR), market trends indicate a continuous increase in the demand for monitors. These monitors must possess high resolution, accurate color reproduction, and a wide color gamut to meet the high image quality standards of professional production teams. Furthermore, as production workflows become more digital and networked, remote collaboration has become more prevalent. Therefore, monitors also need to support remote access and multi-screen displays to accommodate the working needs of production personnel.
Report Scope
This report aims to provide a comprehensive presentation of the global market for Broadcast and Post Production Monitors, focusing on the total sales volume, sales revenue, price, key companies market share and ranking, together with an analysis of Broadcast and Post Production Monitors by region & country, by Type, and by Application.
The Broadcast and Post Production Monitors market size, estimations, and forecasts are provided in terms of sales volume (K Units) and sales revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. With both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Broadcast and Post Production Monitors.
Market Segmentation
By Company
Sony
Panasonic
JVC
Ikegami
Marshall
TVLogic
Canon
Planar
Lilliput
Blackmagicdesign
Tote Vision
SmallHD
Bon Monitors
Atomos
Datavideo
Segment by Type:
HD Monitors
4K and 8K Monitors
Segment by Application
Studio Applications
Field Applications
By Region
North America
United States
Canada
Europe
Germany
France
U.K.
Italy
Russia
Asia-Pacific
China
Japan
South Korea
China Taiwan
Southeast Asia
India
Latin America
Mexico
Brazil
Argentina
Middle East & Africa
Turkey
Saudi Arabia
UAE
Chapter Outline
Chapter 1: Introduces the report scope of the report, global total market size (valve, volume and price). This chapter also provides the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by manufacturers in the industry, and the analysis of relevant policies in the industry.
Chapter 2: Detailed analysis of Broadcast and Post Production Monitors manufacturers competitive landscape, price, sales and revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 3: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 4: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 5: Sales, revenue of Broadcast and Post Production Monitors in regional level. It provides a quantitative analysis of the market size and development potential of each region and introduces the market development, future development prospects, market space, and market size of each country in the world.
Chapter 6: Sales, revenue of Broadcast and Post Production Monitors in country level. It provides sigmate data by Type, and by Application for each country/region.
Chapter 7: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 8: Analysis of industrial chain, including the upstream and downstream of the industry.
Chapter 9: Conclusion.
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1 Market Overview
1.1 Broadcast and Post Production Monitors Product Introduction
1.2 Global Broadcast and Post Production Monitors Market Size Forecast
1.2.1 Global Broadcast and Post Production Monitors Sales Value (2019-2030)
1.2.2 Global Broadcast and Post Production Monitors Sales Volume (2019-2030)
1.2.3 Global Broadcast and Post Production Monitors Sales Price (2019-2030)
1.3 Broadcast and Post Production Monitors Market Trends & Drivers
1.3.1 Broadcast and Post Production Monitors Industry Trends
1.3.2 Broadcast and Post Production Monitors Market Drivers & Opportunity
1.3.3 Broadcast and Post Production Monitors Market Challenges
1.3.4 Broadcast and Post Production Monitors Market Restraints
1.4 Assumptions and Limitations
1.5 Study Objectives
1.6 Years Considered
2 Competitive Analysis by Company
2.1 Global Broadcast and Post Production Monitors Players Revenue Ranking (2023)
2.2 Global Broadcast and Post Production Monitors Revenue by Company (2019-2024)
2.3 Global Broadcast and Post Production Monitors Players Sales Volume Ranking (2023)
2.4 Global Broadcast and Post Production Monitors Sales Volume by Company Players (2019-2024)
2.5 Global Broadcast and Post Production Monitors Average Price by Company (2019-2024)
2.6 Key Manufacturers Broadcast and Post Production Monitors Manufacturing Base Distribution and Headquarters
2.7 Key Manufacturers Broadcast and Post Production Monitors Product Offered
2.8 Key Manufacturers Time to Begin Mass Production of Broadcast and Post Production Monitors
2.9 Broadcast and Post Production Monitors Market Competitive Analysis
2.9.1 Broadcast and Post Production Monitors Market Concentration Rate (2019-2024)
2.9.2 Global 5 and 10 Largest Manufacturers by Broadcast and Post Production Monitors Revenue in 2023
2.9.3 Global Top Manufacturers by Company Type (Tier 1, Tier 2, and Tier 3) & (based on the Revenue in Broadcast and Post Production Monitors as of 2023)
2.10 Mergers & Acquisitions, Expansion
3 Segmentation by Type
3.1 Introduction by Type
3.1.1 HD Monitors
3.1.2 4K and 8K Monitors
3.2 Global Broadcast and Post Production Monitors Sales Value by Type
3.2.1 Global Broadcast and Post Production Monitors Sales Value by Type (2019 VS 2023 VS 2030)
3.2.2 Global Broadcast and Post Production Monitors Sales Value, by Type (2019-2030)
3.2.3 Global Broadcast and Post Production Monitors Sales Value, by Type (%) (2019-2030)
3.3 Global Broadcast and Post Production Monitors Sales Volume by Type
3.3.1 Global Broadcast and Post Production Monitors Sales Volume by Type (2019 VS 2023 VS 2030)
3.3.2 Global Broadcast and Post Production Monitors Sales Volume, by Type (2019-2030)
3.3.3 Global Broadcast and Post Production Monitors Sales Volume, by Type (%) (2019-2030)
3.4 Global Broadcast and Post Production Monitors Average Price by Type (2019-2030)
4 Segmentation by Application
4.1 Introduction by Application
4.1.1 Studio Applications
4.1.2 Field Applications
4.2 Global Broadcast and Post Production Monitors Sales Value by Application
4.2.1 Global Broadcast and Post Production Monitors Sales Value by Application (2019 VS 2023 VS 2030)
4.2.2 Global Broadcast and Post Production Monitors Sales Value, by Application (2019-2030)
4.2.3 Global Broadcast and Post Production Monitors Sales Value, by Application (%) (2019-2030)
4.3 Global Broadcast and Post Production Monitors Sales Volume by Application
4.3.1 Global Broadcast and Post Production Monitors Sales Volume by Application (2019 VS 2023 VS 2030)
4.3.2 Global Broadcast and Post Production Monitors Sales Volume, by Application (2019-2030)
4.3.3 Global Broadcast and Post Production Monitors Sales Volume, by Application (%) (2019-2030)
4.4 Global Broadcast and Post Production Monitors Average Price by Application (2019-2030)
5 Segmentation by Region
5.1 Global Broadcast and Post Production Monitors Sales Value by Region
5.1.1 Global Broadcast and Post Production Monitors Sales Value by Region: 2019 VS 2023 VS 2030
5.1.2 Global Broadcast and Post Production Monitors Sales Value by Region (2019-2024)
5.1.3 Global Broadcast and Post Production Monitors Sales Value by Region (2025-2030)
5.1.4 Global Broadcast and Post Production Monitors Sales Value by Region (%), (2019-2030)
5.2 Global Broadcast and Post Production Monitors Sales Volume by Region
5.2.1 Global Broadcast and Post Production Monitors Sales Volume by Region: 2019 VS 2023 VS 2030
5.2.2 Global Broadcast and Post Production Monitors Sales Volume by Region (2019-2024)
5.2.3 Global Broadcast and Post Production Monitors Sales Volume by Region (2025-2030)
5.2.4 Global Broadcast and Post Production Monitors Sales Volume by Region (%), (2019-2030)
5.3 Global Broadcast and Post Production Monitors Average Price by Region (2019-2030)
5.4 North America
5.4.1 North America Broadcast and Post Production Monitors Sales Value, 2019-2030
5.4.2 North America Broadcast and Post Production Monitors Sales Value by Country (%), 2023 VS 2030
5.5 Europe
5.5.1 Europe Broadcast and Post Production Monitors Sales Value, 2019-2030
5.5.2 Europe Broadcast and Post Production Monitors Sales Value by Country (%), 2023 VS 2030
5.6 Asia Pacific
5.6.1 Asia Pacific Broadcast and Post Production Monitors Sales Value, 2019-2030
5.6.2 Asia Pacific Broadcast and Post Production Monitors Sales Value by Country (%), 2023 VS 2030
5.7 South America
5.7.1 South America Broadcast and Post Production Monitors Sales Value, 2019-2030
5.7.2 South America Broadcast and Post Production Monitors Sales Value by Country (%), 2023 VS 2030
5.8 Middle East & Africa
5.8.1 Middle East & Africa Broadcast and Post Production Monitors Sales Value, 2019-2030
5.8.2 Middle East & Africa Broadcast and Post Production Monitors Sales Value by Country (%), 2023 VS 2030
6 Segmentation by Key Countries/Regions
6.1 Key Countries/Regions Broadcast and Post Production Monitors Sales Value Growth Trends, 2019 VS 2023 VS 2030
6.2 Key Countries/Regions Broadcast and Post Production Monitors Sales Value
6.2.1 Key Countries/Regions Broadcast and Post Production Monitors Sales Value, 2019-2030
6.2.2 Key Countries/Regions Broadcast and Post Production Monitors Sales Volume, 2019-2030
6.3 United States
6.3.1 United States Broadcast and Post Production Monitors Sales Value, 2019-2030
6.3.2 United States Broadcast and Post Production Monitors Sales Value by Type (%), 2023 VS 2030
6.3.3 United States Broadcast and Post Production Monitors Sales Value by Application, 2023 VS 2030
6.4 Europe
6.4.1 Europe Broadcast and Post Production Monitors Sales Value, 2019-2030
6.4.2 Europe Broadcast and Post Production Monitors Sales Value by Type (%), 2023 VS 2030
6.4.3 Europe Broadcast and Post Production Monitors Sales Value by Application, 2023 VS 2030
6.5 China
6.5.1 China Broadcast and Post Production Monitors Sales Value, 2019-2030
6.5.2 China Broadcast and Post Production Monitors Sales Value by Type (%), 2023 VS 2030
6.5.3 China Broadcast and Post Production Monitors Sales Value by Application, 2023 VS 2030
6.6 Japan
6.6.1 Japan Broadcast and Post Production Monitors Sales Value, 2019-2030
6.6.2 Japan Broadcast and Post Production Monitors Sales Value by Type (%), 2023 VS 2030
6.6.3 Japan Broadcast and Post Production Monitors Sales Value by Application, 2023 VS 2030
6.7 South Korea
6.7.1 South Korea Broadcast and Post Production Monitors Sales Value, 2019-2030
6.7.2 South Korea Broadcast and Post Production Monitors Sales Value by Type (%), 2023 VS 2030
6.7.3 South Korea Broadcast and Post Production Monitors Sales Value by Application, 2023 VS 2030
6.8 Southeast Asia
6.8.1 Southeast Asia Broadcast and Post Production Monitors Sales Value, 2019-2030
6.8.2 Southeast Asia Broadcast and Post Production Monitors Sales Value by Type (%), 2023 VS 2030
6.8.3 Southeast Asia Broadcast and Post Production Monitors Sales Value by Application, 2023 VS 2030
6.9 India
6.9.1 India Broadcast and Post Production Monitors Sales Value, 2019-2030
6.9.2 India Broadcast and Post Production Monitors Sales Value by Type (%), 2023 VS 2030
6.9.3 India Broadcast and Post Production Monitors Sales Value by Application, 2023 VS 2030
7 Company Profiles
7.1 Sony
7.1.1 Sony Company Information
7.1.2 Sony Introduction and Business Overview
7.1.3 Sony Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.1.4 Sony Broadcast and Post Production Monitors Product Offerings
7.1.5 Sony Recent Development
7.2 Panasonic
7.2.1 Panasonic Company Information
7.2.2 Panasonic Introduction and Business Overview
7.2.3 Panasonic Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.2.4 Panasonic Broadcast and Post Production Monitors Product Offerings
7.2.5 Panasonic Recent Development
7.3 JVC
7.3.1 JVC Company Information
7.3.2 JVC Introduction and Business Overview
7.3.3 JVC Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.3.4 JVC Broadcast and Post Production Monitors Product Offerings
7.3.5 JVC Recent Development
7.4 Ikegami
7.4.1 Ikegami Company Information
7.4.2 Ikegami Introduction and Business Overview
7.4.3 Ikegami Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.4.4 Ikegami Broadcast and Post Production Monitors Product Offerings
7.4.5 Ikegami Recent Development
7.5 Marshall
7.5.1 Marshall Company Information
7.5.2 Marshall Introduction and Business Overview
7.5.3 Marshall Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.5.4 Marshall Broadcast and Post Production Monitors Product Offerings
7.5.5 Marshall Recent Development
7.6 TVLogic
7.6.1 TVLogic Company Information
7.6.2 TVLogic Introduction and Business Overview
7.6.3 TVLogic Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.6.4 TVLogic Broadcast and Post Production Monitors Product Offerings
7.6.5 TVLogic Recent Development
7.7 Canon
7.7.1 Canon Company Information
7.7.2 Canon Introduction and Business Overview
7.7.3 Canon Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.7.4 Canon Broadcast and Post Production Monitors Product Offerings
7.7.5 Canon Recent Development
7.8 Planar
7.8.1 Planar Company Information
7.8.2 Planar Introduction and Business Overview
7.8.3 Planar Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.8.4 Planar Broadcast and Post Production Monitors Product Offerings
7.8.5 Planar Recent Development
7.9 Lilliput
7.9.1 Lilliput Company Information
7.9.2 Lilliput Introduction and Business Overview
7.9.3 Lilliput Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.9.4 Lilliput Broadcast and Post Production Monitors Product Offerings
7.9.5 Lilliput Recent Development
7.10 Blackmagicdesign
7.10.1 Blackmagicdesign Company Information
7.10.2 Blackmagicdesign Introduction and Business Overview
7.10.3 Blackmagicdesign Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.10.4 Blackmagicdesign Broadcast and Post Production Monitors Product Offerings
7.10.5 Blackmagicdesign Recent Development
7.11 Tote Vision
7.11.1 Tote Vision Company Information
7.11.2 Tote Vision Introduction and Business Overview
7.11.3 Tote Vision Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.11.4 Tote Vision Broadcast and Post Production Monitors Product Offerings
7.11.5 Tote Vision Recent Development
7.12 SmallHD
7.12.1 SmallHD Company Information
7.12.2 SmallHD Introduction and Business Overview
7.12.3 SmallHD Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.12.4 SmallHD Broadcast and Post Production Monitors Product Offerings
7.12.5 SmallHD Recent Development
7.13 Bon Monitors
7.13.1 Bon Monitors Company Information
7.13.2 Bon Monitors Introduction and Business Overview
7.13.3 Bon Monitors Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.13.4 Bon Monitors Broadcast and Post Production Monitors Product Offerings
7.13.5 Bon Monitors Recent Development
7.14 Atomos
7.14.1 Atomos Company Information
7.14.2 Atomos Introduction and Business Overview
7.14.3 Atomos Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.14.4 Atomos Broadcast and Post Production Monitors Product Offerings
7.14.5 Atomos Recent Development
7.15 Datavideo
7.15.1 Datavideo Company Information
7.15.2 Datavideo Introduction and Business Overview
7.15.3 Datavideo Broadcast and Post Production Monitors Sales, Revenue and Gross Margin (2019-2024)
7.15.4 Datavideo Broadcast and Post Production Monitors Product Offerings
7.15.5 Datavideo Recent Development
8 Industry Chain Analysis
8.1 Broadcast and Post Production Monitors Industrial Chain
8.2 Broadcast and Post Production Monitors Upstream Analysis
8.2.1 Key Raw Materials
8.2.2 Raw Materials Key Suppliers
8.2.3 Manufacturing Cost Structure
8.3 Midstream Analysis
8.4 Downstream Analysis (Customers Analysis)
8.5 Sales Model and Sales Channels
8.5.1 Broadcast and Post Production Monitors Sales Model
8.5.2 Sales Channel
8.5.3 Broadcast and Post Production Monitors Distributors
9 Research Findings and Conclusion
10 Appendix
10.1 Research Methodology
10.1.1 Methodology/Research Approach
10.1.2 Data Source
10.2 Author Details
10.3 Disclaimer
Sony
Panasonic
JVC
Ikegami
Marshall
TVLogic
Canon
Planar
Lilliput
Blackmagicdesign
Tote Vision
SmallHD
Bon Monitors
Atomos
Datavideo
听
听
*If Applicable.