Audio Mixing Console, also known as Mixer, is an important device for broadcasting and recording programs in modern radio broadcasting, stage sound reinforcement, audio program production and other systems. Its main function is to amplify, mix, distribute, modify the sound quality and process the sound effects of multiple input signals, and then output them through the bus (Master). Mixing consoles differ in the number of input channels, the number of panel function keys and output indications. Common function keys include fixed value attenuation (PAD), gain adjustment (Gain), low-cut button (100Hz), equalization adjustment (EQ), auxiliary knob (AUX), sound image adjustment (PAN), etc.
Mixing consoles can be divided into analog mixers and digital mixers according to the signal processing method. Digital mixers control, process and adjust audio signals through digital signal processing technology. Compared with traditional analog mixers, digital mixers provide more functions and flexibility, such as integrated digital signal processing, effect processing, recording functions and network integration and other advanced functions, and are more compact and take up less space. In addition, with the application of intelligent technology, digital mixers also have stronger automation functions, such as automatic mixing, intelligent recognition of audio signals, etc.
The mixer market has continued to grow in the past few years, mainly benefiting from the development of the audio industry and the popularization of digital technology. It is expected that the market will continue to maintain steady growth in the next few years. With the continuous expansion of the music industry and the rapid development of the live broadcast and film and television industries, the demand for the mixer market will gradually increase.
With the continuous advancement of digital technology, the mixer industry is moving towards digitalization and networking. Digital mixers have become mainstream, and networking functions have gradually received attention, making audio processing more flexible and efficient. At the same time, the application of intelligent technology will also enable mixers to have stronger automation functions.
The global Audio Mixing Console market was valued at US$ 775 million in 2023 and is anticipated to reach US$ 1131 million by 2030, witnessing a CAGR of 5.5% during the forecast period 2024-2030.
The mixer market is highly competitive. Major manufacturers include Soundcraft, Yamaha, DiGiCo, Behringer, Midas (Music Tribe) and other well-known brands, which are highly competitive and have rich product lines. At the same time, some emerging manufacturers are also emerging, challenging traditional brands through technological innovation and market positioning. The top five manufacturers account for about 32% of the global market share. North America is the largest market, accounting for about 40% of the market share.
The mixer market can be segmented according to different functions and scales, including professional studio mixers, performance mixers, home recording mixers, etc. Small and medium-sized mixers have a large market demand in the fields of home recording and small performances, with low prices, practical functions and easy to carry; while large professional mixers are mainly used in professional music production and radio stations, with high requirements for sound quality and performance. As for the downstream, the public broadcasting system is the largest downstream field, accounting for 51% of the sales share.
This report aims to provide a comprehensive presentation of the global market for Audio Mixing Console, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Audio Mixing Console.
The Audio Mixing Console market size, estimations, and forecasts are provided in terms of sales volume (K Units) and revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. This report segments the global Audio Mixing Console market comprehensively. Regional market sizes, concerning products by Type, by Application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Audio Mixing Console manufacturers, new entrants, and industry chain related companies in this market with information on the revenues, sales volume, and average price for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
Market Segmentation
By Company
LAWO
Allen & Heath
Ashly Audio
PreSonus
Yamaha
Midas (Music Tribe)
DiGiCo
Mackie
Tascam
Soundcraft
Phonic
Behringer
Alesis
Denon DJ
Samson Technologies
Numark
Aviom
Ecler
AEQ
Omnitronic
Tamura
RCF SPA
by Type
Digital Audio Mixing Console
Analog Audio Mixing Console
by Application
Public Address System
Television Studio
Post-production
Recording Studio
Others
Production by Region
North America
Europe
China
Japan
Consumption by Region
North America
United States
Canada
Asia-Pacific
China
Japan
South Korea
India
Australia
China Taiwan
Indonesia
Thailand
Malaysia
Europe
Germany
France
U.K.
Italy
Russia
Latin America
Mexico
Brazil
Argentina
Middle East & Africa
Turkey
Saudi Arabia
UAE
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by region, by Type, by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Detailed analysis of Audio Mixing Console manufacturers competitive landscape, price, sales and revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 3: Sales, revenue of Audio Mixing Console in regional level and country level. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and market size of each country in the world.
Chapter 4: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 7: Analysis of industrial chain, including the upstream and downstream of the industry.
Chapter 8: Introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by manufacturers in the industry, and the analysis of relevant policies in the industry.
Chapter 9: The main points and conclusions of the report.
Please Note - This is an on demand report and will be delivered in 2 business days (48 hours) post payment.
1 Audio Mixing Console Market Overview
1.1 Product Definition
1.2 Audio Mixing Console by Type
1.2.1 Global Audio Mixing Console Market Value Comparison by Type (2024-2030)
1.2.2 Digital Audio Mixing Console
1.2.3 Analog Audio Mixing Console
1.3 Audio Mixing Console by Application
1.3.1 Global Audio Mixing Console Market Value by Application (2024-2030)
1.3.2 Public Address System
1.3.3 Television Studio
1.3.4 Post-production
1.3.5 Recording Studio
1.3.6 Others
1.4 Global Audio Mixing Console Market Size Estimates and Forecasts
1.4.1 Global Audio Mixing Console Revenue 2019-2030
1.4.2 Global Audio Mixing Console Sales 2019-2030
1.4.3 Global Audio Mixing Console Market Average Price (2019-2030)
1.5 Assumptions and Limitations
2 Audio Mixing Console Market Competition by Manufacturers
2.1 Global Audio Mixing Console Sales Market Share by Manufacturers (2019-2024)
2.2 Global Audio Mixing Console Revenue Market Share by Manufacturers (2019-2024)
2.3 Global Audio Mixing Console Average Price by Manufacturers (2019-2024)
2.4 Global Key Players of Audio Mixing Console, Industry Ranking, 2022 VS 2023 VS 2024
2.5 Global Key Manufacturers of Audio Mixing Console, Manufacturing Sites & Headquarters
2.6 Global Key Manufacturers of Audio Mixing Console, Product Type & Application
2.7 Global Key Manufacturers of Audio Mixing Console, Date of Enter into This Industry
2.8 Global Audio Mixing Console Market Competitive Situation and Trends
2.8.1 Global Audio Mixing Console Market Concentration Rate
2.8.2 The Global 5 and 10 Largest Audio Mixing Console Players Market Share by Revenue
2.8.3 Global Audio Mixing Console Market Share by Company Type (Tier 1, Tier 2, and Tier 3)
2.9 Manufacturers Mergers & Acquisitions, Expansion Plans
3 Global Audio Mixing Console Market Scenario by Region
3.1 Global Audio Mixing Console Market Size by Region: 2019 Versus 2023 Versus 2030
3.2 Global Audio Mixing Console Sales by Region: 2019-2030
3.2.1 Global Audio Mixing Console Sales by Region: 2019-2024
3.2.2 Global Audio Mixing Console Sales by Region: 2025-2030
3.3 Global Audio Mixing Console Revenue by Region: 2019-2030
3.3.1 Global Audio Mixing Console Revenue by Region: 2019-2024
3.3.2 Global Audio Mixing Console Revenue by Region: 2025-2030
3.4 North America Audio Mixing Console Market Facts & Figures by Country
3.4.1 North America Audio Mixing Console Market Size by Country: 2019 VS 2023 VS 2030
3.4.2 North America Audio Mixing Console Sales by Country (2019-2030)
3.4.3 North America Audio Mixing Console Revenue by Country (2019-2030)
3.4.4 United States
3.4.5 Canada
3.5 Europe Audio Mixing Console Market Facts & Figures by Country
3.5.1 Europe Audio Mixing Console Market Size by Country: 2019 VS 2023 VS 2030
3.5.2 Europe Audio Mixing Console Sales by Country (2019-2030)
3.5.3 Europe Audio Mixing Console Revenue by Country (2019-2030)
3.5.4 Germany
3.5.5 France
3.5.6 U.K.
3.5.7 Italy
3.5.8 Russia
3.6 Asia Pacific Audio Mixing Console Market Facts & Figures by Region
3.6.1 Asia Pacific Audio Mixing Console Market Size by Region: 2019 VS 2023 VS 2030
3.6.2 Asia Pacific Audio Mixing Console Sales by Region (2019-2030)
3.6.3 Asia Pacific Audio Mixing Console Revenue by Region (2019-2030)
3.6.4 China
3.6.5 Japan
3.6.6 South Korea
3.6.7 India
3.6.8 Australia
3.6.9 China Taiwan
3.6.10 Indonesia
3.6.11 Thailand
3.6.12 Malaysia
3.7 Latin America Audio Mixing Console Market Facts & Figures by Country
3.7.1 Latin America Audio Mixing Console Market Size by Country: 2019 VS 2023 VS 2030
3.7.2 Latin America Audio Mixing Console Sales by Country (2019-2030)
3.7.3 Latin America Audio Mixing Console Revenue by Country
3.7.4 Mexico
3.7.5 Brazil
3.7.6 Argentina
3.8 Middle East and Africa Audio Mixing Console Market Facts & Figures by Country
3.8.1 Middle East and Africa Audio Mixing Console Market Size by Country: 2019 VS 2023 VS 2030
3.8.2 Middle East and Africa Audio Mixing Console Sales by Country (2019-2030)
3.8.3 Middle East and Africa Audio Mixing Console Revenue by Country
3.8.4 Turkey
3.8.5 Saudi Arabia
3.8.6 UAE
4 Segment by Type
4.1 Global Audio Mixing Console Sales by Type (2019-2030)
4.1.1 Global Audio Mixing Console Sales by Type (2019-2024)
4.1.2 Global Audio Mixing Console Sales by Type (2025-2030)
4.1.3 Global Audio Mixing Console Sales Market Share by Type (2019-2030)
4.2 Global Audio Mixing Console Revenue by Type (2019-2030)
4.2.1 Global Audio Mixing Console Revenue by Type (2019-2024)
4.2.2 Global Audio Mixing Console Revenue by Type (2025-2030)
4.2.3 Global Audio Mixing Console Revenue Market Share by Type (2019-2030)
4.3 Global Audio Mixing Console Price by Type (2019-2030)
5 Segment by Application
5.1 Global Audio Mixing Console Sales by Application (2019-2030)
5.1.1 Global Audio Mixing Console Sales by Application (2019-2024)
5.1.2 Global Audio Mixing Console Sales by Application (2025-2030)
5.1.3 Global Audio Mixing Console Sales Market Share by Application (2019-2030)
5.2 Global Audio Mixing Console Revenue by Application (2019-2030)
5.2.1 Global Audio Mixing Console Revenue by Application (2019-2024)
5.2.2 Global Audio Mixing Console Revenue by Application (2025-2030)
5.2.3 Global Audio Mixing Console Revenue Market Share by Application (2019-2030)
5.3 Global Audio Mixing Console Price by Application (2019-2030)
6 Key Companies Profiled
6.1 LAWO
6.1.1 LAWO Company Information
6.1.2 LAWO Description and Business Overview
6.1.3 LAWO Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.1.4 LAWO Audio Mixing Console Product Portfolio
6.1.5 LAWO Recent Developments/Updates
6.2 Allen & Heath
6.2.1 Allen & Heath Company Information
6.2.2 Allen & Heath Description and Business Overview
6.2.3 Allen & Heath Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.2.4 Allen & Heath Audio Mixing Console Product Portfolio
6.2.5 Allen & Heath Recent Developments/Updates
6.3 Ashly Audio
6.3.1 Ashly Audio Company Information
6.3.2 Ashly Audio Description and Business Overview
6.3.3 Ashly Audio Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.3.4 Ashly Audio Audio Mixing Console Product Portfolio
6.3.5 Ashly Audio Recent Developments/Updates
6.4 PreSonus
6.4.1 PreSonus Company Information
6.4.2 PreSonus Description and Business Overview
6.4.3 PreSonus Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.4.4 PreSonus Audio Mixing Console Product Portfolio
6.4.5 PreSonus Recent Developments/Updates
6.5 Yamaha
6.5.1 Yamaha Company Information
6.5.2 Yamaha Description and Business Overview
6.5.3 Yamaha Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.5.4 Yamaha Audio Mixing Console Product Portfolio
6.5.5 Yamaha Recent Developments/Updates
6.6 Midas (Music Tribe)
6.6.1 Midas (Music Tribe) Company Information
6.6.2 Midas (Music Tribe) Description and Business Overview
6.6.3 Midas (Music Tribe) Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.6.4 Midas (Music Tribe) Audio Mixing Console Product Portfolio
6.6.5 Midas (Music Tribe) Recent Developments/Updates
6.7 DiGiCo
6.7.1 DiGiCo Company Information
6.7.2 DiGiCo Description and Business Overview
6.7.3 DiGiCo Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.7.4 DiGiCo Audio Mixing Console Product Portfolio
6.7.5 DiGiCo Recent Developments/Updates
6.8 Mackie
6.8.1 Mackie Company Information
6.8.2 Mackie Description and Business Overview
6.8.3 Mackie Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.8.4 Mackie Audio Mixing Console Product Portfolio
6.8.5 Mackie Recent Developments/Updates
6.9 Tascam
6.9.1 Tascam Company Information
6.9.2 Tascam Description and Business Overview
6.9.3 Tascam Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.9.4 Tascam Audio Mixing Console Product Portfolio
6.9.5 Tascam Recent Developments/Updates
6.10 Soundcraft
6.10.1 Soundcraft Company Information
6.10.2 Soundcraft Description and Business Overview
6.10.3 Soundcraft Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.10.4 Soundcraft Audio Mixing Console Product Portfolio
6.10.5 Soundcraft Recent Developments/Updates
6.11 Phonic
6.11.1 Phonic Company Information
6.11.2 Phonic Description and Business Overview
6.11.3 Phonic Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.11.4 Phonic Audio Mixing Console Product Portfolio
6.11.5 Phonic Recent Developments/Updates
6.12 Behringer
6.12.1 Behringer Company Information
6.12.2 Behringer Description and Business Overview
6.12.3 Behringer Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.12.4 Behringer Audio Mixing Console Product Portfolio
6.12.5 Behringer Recent Developments/Updates
6.13 Alesis
6.13.1 Alesis Company Information
6.13.2 Alesis Description and Business Overview
6.13.3 Alesis Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.13.4 Alesis Audio Mixing Console Product Portfolio
6.13.5 Alesis Recent Developments/Updates
6.14 Denon DJ
6.14.1 Denon DJ Company Information
6.14.2 Denon DJ Description and Business Overview
6.14.3 Denon DJ Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.14.4 Denon DJ Audio Mixing Console Product Portfolio
6.14.5 Denon DJ Recent Developments/Updates
6.15 Samson Technologies
6.15.1 Samson Technologies Company Information
6.15.2 Samson Technologies Description and Business Overview
6.15.3 Samson Technologies Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.15.4 Samson Technologies Audio Mixing Console Product Portfolio
6.15.5 Samson Technologies Recent Developments/Updates
6.16 Numark
6.16.1 Numark Company Information
6.16.2 Numark Description and Business Overview
6.16.3 Numark Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.16.4 Numark Audio Mixing Console Product Portfolio
6.16.5 Numark Recent Developments/Updates
6.17 Aviom
6.17.1 Aviom Company Information
6.17.2 Aviom Description and Business Overview
6.17.3 Aviom Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.17.4 Aviom Audio Mixing Console Product Portfolio
6.17.5 Aviom Recent Developments/Updates
6.18 Ecler
6.18.1 Ecler Company Information
6.18.2 Ecler Description and Business Overview
6.18.3 Ecler Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.18.4 Ecler Audio Mixing Console Product Portfolio
6.18.5 Ecler Recent Developments/Updates
6.19 AEQ
6.19.1 AEQ Company Information
6.19.2 AEQ Description and Business Overview
6.19.3 AEQ Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.19.4 AEQ Audio Mixing Console Product Portfolio
6.19.5 AEQ Recent Developments/Updates
6.20 Omnitronic
6.20.1 Omnitronic Company Information
6.20.2 Omnitronic Description and Business Overview
6.20.3 Omnitronic Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.20.4 Omnitronic Audio Mixing Console Product Portfolio
6.20.5 Omnitronic Recent Developments/Updates
6.21 Tamura
6.21.1 Tamura Company Information
6.21.2 Tamura Description and Business Overview
6.21.3 Tamura Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.21.4 Tamura Audio Mixing Console Product Portfolio
6.21.5 Tamura Recent Developments/Updates
6.22 RCF SPA
6.22.1 RCF SPA Company Information
6.22.2 RCF SPA Description and Business Overview
6.22.3 RCF SPA Audio Mixing Console Sales, Revenue and Gross Margin (2019-2024)
6.22.4 RCF SPA Audio Mixing Console Product Portfolio
6.22.5 RCF SPA Recent Developments/Updates
7 Industry Chain and Sales Channels Analysis
7.1 Audio Mixing Console Industry Chain Analysis
7.2 Audio Mixing Console Key Raw Materials
7.2.1 Key Raw Materials
7.2.2 Raw Materials Key Suppliers
7.3 Audio Mixing Console Production Mode & Process
7.4 Audio Mixing Console Sales and Marketing
7.4.1 Audio Mixing Console Sales Channels
7.4.2 Audio Mixing Console Distributors
7.5 Audio Mixing Console Customers
8 Audio Mixing Console Market Dynamics
8.1 Audio Mixing Console Industry Trends
8.2 Audio Mixing Console Market Drivers
8.3 Audio Mixing Console Market Challenges
8.4 Audio Mixing Console Market Restraints
9 Research Findings and Conclusion
10 Methodology and Data Source
10.1 Methodology/Research Approach
10.1.1 Research Programs/Design
10.1.2 Market Size Estimation
10.1.3 Market Breakdown and Data Triangulation
10.2 Data Source
10.2.1 Secondary Sources
10.2.2 Primary Sources
10.3 Author List
10.4 Disclaimer
LAWO
Allen & Heath
Ashly Audio
PreSonus
Yamaha
Midas (Music Tribe)
DiGiCo
Mackie
Tascam
Soundcraft
Phonic
Behringer
Alesis
Denon DJ
Samson Technologies
Numark
Aviom
Ecler
AEQ
Omnitronic
Tamura
RCF SPA
听
听
*If Applicable.