The global market for IP Audio Codec was valued at US$ million in the year 2024 and is projected to reach a revised size of US$ million by 2031, growing at a CAGR of %during the forecast period.
IP audio codecs are used to send broadcast quality audio over IP from remote broadcast locations to radio and television studios around the globe. IP codecs are ideal for use in remote broadcasts, as studio/transmitter links (STLs) or for studio-to-studio audio distribution.
North American market for IP Audio Codec is estimated to increase from $ million in 2024 to reach $ million by 2031, at a CAGR of % during the forecast period of 2025 through 2031.
Asia-Pacific market for IP Audio Codec is estimated to increase from $ million in 2024 to reach $ million by 2031, at a CAGR of % during the forecast period of 2025 through 2031.
The major global manufacturers of IP Audio Codec include Barix, AEQ, EuroCaster, Tieline, Glensound, AxelTech, Maxim Integrated, Comrex, DEVA, Sonifex, etc. In 2024, the world's top three vendors accounted for approximately % of the revenue.
Report Scope
This report aims to provide a comprehensive presentation of the global market for IP Audio Codec, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding IP Audio Codec.
The IP Audio Codec market size, estimations, and forecasts are provided in terms of output/shipments (K Units) and revenue ($ millions), considering 2024 as the base year, with history and forecast data for the period from 2020 to 2031. This report segments the global IP Audio Codec market comprehensively. Regional market sizes, concerning products by Type, by Application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the IP Audio Codec manufacturers, new entrants, and industry chain related companies in this market with information on the revenues, production, and average price for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
Market Segmentation
By Company
Barix
AEQ
EuroCaster
Tieline
Glensound
AxelTech
Maxim Integrated
Comrex
DEVA
Sonifex
Technicolor
APT
Sound4
Arrakis
2wcom
Prodys
by Type
Single Channel
Muti-Channel
by Application
Commercial
Residential
Production by Region
North America
Europe
China
Japan
Consumption by Region
North America
U.S.
Canada
Asia-Pacific
China
Japan
South Korea
China Taiwan
Southeast Asia
India
Europe
Germany
France
U.K.
Italy
Russia
Rest of Europe
Latin America, Middle East & Africa
Mexico
Brazil
Turkey
GCC Countries
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by region, by Type, by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Detailed analysis of IP Audio Codec manufacturers competitive landscape, price, production and value market share, latest development plan, merger, and acquisition information, etc.
Chapter 3: Production/output, value of IP Audio Codec by region/country. It provides a quantitative analysis of the market size and development potential of each region in the next six years.
Chapter 4: Consumption of IP Audio Codec in regional level and country level. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and production of each country in the world.
Chapter 5: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 6: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 7: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product production/output, value, price, gross margin, product introduction, recent development, etc.
Chapter 8: Analysis of industrial chain, including the upstream and downstream of the industry.
Chapter 9: Introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by manufacturers in the industry, and the analysis of relevant policies in the industry.
Chapter 10: The main points and conclusions of the report.
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1 IP Audio Codec Market Overview
1.1 Product Definition
1.2 IP Audio Codec by Type
1.2.1 Global IP Audio Codec Market Value Growth Rate Analysis by Type: 2024 VS 2031
1.2.2 Single Channel
1.2.3 Muti-Channel
1.3 IP Audio Codec by Application
1.3.1 Global IP Audio Codec Market Value Growth Rate Analysis by Application: 2024 VS 2031
1.3.2 Commercial
1.3.3 Residential
1.4 Global Market Growth Prospects
1.4.1 Global IP Audio Codec Production Value Estimates and Forecasts (2020-2031)
1.4.2 Global IP Audio Codec Production Capacity Estimates and Forecasts (2020-2031)
1.4.3 Global IP Audio Codec Production Estimates and Forecasts (2020-2031)
1.4.4 Global IP Audio Codec Market Average Price Estimates and Forecasts (2020-2031)
1.5 Assumptions and Limitations
2 Market Competition by Manufacturers
2.1 Global IP Audio Codec Production Market Share by Manufacturers (2020-2025)
2.2 Global IP Audio Codec Production Value Market Share by Manufacturers (2020-2025)
2.3 Global Key Players of IP Audio Codec, Industry Ranking, 2023 VS 2024
2.4 Global IP Audio Codec Market Share by Company Type (Tier 1, Tier 2, and Tier 3)
2.5 Global IP Audio Codec Average Price by Manufacturers (2020-2025)
2.6 Global Key Manufacturers of IP Audio Codec, Manufacturing Base Distribution and Headquarters
2.7 Global Key Manufacturers of IP Audio Codec, Product Offered and Application
2.8 Global Key Manufacturers of IP Audio Codec, Date of Enter into This Industry
2.9 IP Audio Codec Market Competitive Situation and Trends
2.9.1 IP Audio Codec Market Concentration Rate
2.9.2 Global 5 and 10 Largest IP Audio Codec Players Market Share by Revenue
2.10 Mergers & Acquisitions, Expansion
3 IP Audio Codec Production by Region
3.1 Global IP Audio Codec Production Value Estimates and Forecasts by Region: 2020 VS 2024 VS 2031
3.2 Global IP Audio Codec Production Value by Region (2020-2031)
3.2.1 Global IP Audio Codec Production Value by Region (2020-2025)
3.2.2 Global Forecasted Production Value of IP Audio Codec by Region (2026-2031)
3.3 Global IP Audio Codec Production Estimates and Forecasts by Region: 2020 VS 2024 VS 2031
3.4 Global IP Audio Codec Production Volume by Region (2020-2031)
3.4.1 Global IP Audio Codec Production by Region (2020-2025)
3.4.2 Global Forecasted Production of IP Audio Codec by Region (2026-2031)
3.5 Global IP Audio Codec Market Price Analysis by Region (2020-2025)
3.6 Global IP Audio Codec Production and Value, Year-over-Year Growth
3.6.1 North America IP Audio Codec Production Value Estimates and Forecasts (2020-2031)
3.6.2 Europe IP Audio Codec Production Value Estimates and Forecasts (2020-2031)
3.6.3 China IP Audio Codec Production Value Estimates and Forecasts (2020-2031)
3.6.4 Japan IP Audio Codec Production Value Estimates and Forecasts (2020-2031)
4 IP Audio Codec Consumption by Region
4.1 Global IP Audio Codec Consumption Estimates and Forecasts by Region: 2020 VS 2024 VS 2031
4.2 Global IP Audio Codec Consumption by Region (2020-2031)
4.2.1 Global IP Audio Codec Consumption by Region (2020-2025)
4.2.2 Global IP Audio Codec Forecasted Consumption by Region (2026-2031)
4.3 North America
4.3.1 North America IP Audio Codec Consumption Growth Rate by Country: 2020 VS 2024 VS 2031
4.3.2 North America IP Audio Codec Consumption by Country (2020-2031)
4.3.3 U.S.
4.3.4 Canada
4.4 Europe
4.4.1 Europe IP Audio Codec Consumption Growth Rate by Country: 2020 VS 2024 VS 2031
4.4.2 Europe IP Audio Codec Consumption by Country (2020-2031)
4.4.3 Germany
4.4.4 France
4.4.5 U.K.
4.4.6 Italy
4.4.7 Netherlands
4.5 Asia Pacific
4.5.1 Asia Pacific IP Audio Codec Consumption Growth Rate by Region: 2020 VS 2024 VS 2031
4.5.2 Asia Pacific IP Audio Codec Consumption by Region (2020-2031)
4.5.3 China
4.5.4 Japan
4.5.5 South Korea
4.5.6 China Taiwan
4.5.7 Southeast Asia
4.5.8 India
4.6 Latin America, Middle East & Africa
4.6.1 Latin America, Middle East & Africa IP Audio Codec Consumption Growth Rate by Country: 2020 VS 2024 VS 2031
4.6.2 Latin America, Middle East & Africa IP Audio Codec Consumption by Country (2020-2031)
4.6.3 Mexico
4.6.4 Brazil
4.6.5 Turkey
4.6.6 GCC Countries
5 Segment by Type
5.1 Global IP Audio Codec Production by Type (2020-2031)
5.1.1 Global IP Audio Codec Production by Type (2020-2025)
5.1.2 Global IP Audio Codec Production by Type (2026-2031)
5.1.3 Global IP Audio Codec Production Market Share by Type (2020-2031)
5.2 Global IP Audio Codec Production Value by Type (2020-2031)
5.2.1 Global IP Audio Codec Production Value by Type (2020-2025)
5.2.2 Global IP Audio Codec Production Value by Type (2026-2031)
5.2.3 Global IP Audio Codec Production Value Market Share by Type (2020-2031)
5.3 Global IP Audio Codec Price by Type (2020-2031)
6 Segment by Application
6.1 Global IP Audio Codec Production by Application (2020-2031)
6.1.1 Global IP Audio Codec Production by Application (2020-2025)
6.1.2 Global IP Audio Codec Production by Application (2026-2031)
6.1.3 Global IP Audio Codec Production Market Share by Application (2020-2031)
6.2 Global IP Audio Codec Production Value by Application (2020-2031)
6.2.1 Global IP Audio Codec Production Value by Application (2020-2025)
6.2.2 Global IP Audio Codec Production Value by Application (2026-2031)
6.2.3 Global IP Audio Codec Production Value Market Share by Application (2020-2031)
6.3 Global IP Audio Codec Price by Application (2020-2031)
7 Key Companies Profiled
7.1 Barix
7.1.1 Barix IP Audio Codec Company Information
7.1.2 Barix IP Audio Codec Product Portfolio
7.1.3 Barix IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.1.4 Barix Main Business and Markets Served
7.1.5 Barix Recent Developments/Updates
7.2 AEQ
7.2.1 AEQ IP Audio Codec Company Information
7.2.2 AEQ IP Audio Codec Product Portfolio
7.2.3 AEQ IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.2.4 AEQ Main Business and Markets Served
7.2.5 AEQ Recent Developments/Updates
7.3 EuroCaster
7.3.1 EuroCaster IP Audio Codec Company Information
7.3.2 EuroCaster IP Audio Codec Product Portfolio
7.3.3 EuroCaster IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.3.4 EuroCaster Main Business and Markets Served
7.3.5 EuroCaster Recent Developments/Updates
7.4 Tieline
7.4.1 Tieline IP Audio Codec Company Information
7.4.2 Tieline IP Audio Codec Product Portfolio
7.4.3 Tieline IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.4.4 Tieline Main Business and Markets Served
7.4.5 Tieline Recent Developments/Updates
7.5 Glensound
7.5.1 Glensound IP Audio Codec Company Information
7.5.2 Glensound IP Audio Codec Product Portfolio
7.5.3 Glensound IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.5.4 Glensound Main Business and Markets Served
7.5.5 Glensound Recent Developments/Updates
7.6 AxelTech
7.6.1 AxelTech IP Audio Codec Company Information
7.6.2 AxelTech IP Audio Codec Product Portfolio
7.6.3 AxelTech IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.6.4 AxelTech Main Business and Markets Served
7.6.5 AxelTech Recent Developments/Updates
7.7 Maxim Integrated
7.7.1 Maxim Integrated IP Audio Codec Company Information
7.7.2 Maxim Integrated IP Audio Codec Product Portfolio
7.7.3 Maxim Integrated IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.7.4 Maxim Integrated Main Business and Markets Served
7.7.5 Maxim Integrated Recent Developments/Updates
7.8 Comrex
7.8.1 Comrex IP Audio Codec Company Information
7.8.2 Comrex IP Audio Codec Product Portfolio
7.8.3 Comrex IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.8.4 Comrex Main Business and Markets Served
7.8.5 Comrex Recent Developments/Updates
7.9 DEVA
7.9.1 DEVA IP Audio Codec Company Information
7.9.2 DEVA IP Audio Codec Product Portfolio
7.9.3 DEVA IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.9.4 DEVA Main Business and Markets Served
7.9.5 DEVA Recent Developments/Updates
7.10 Sonifex
7.10.1 Sonifex IP Audio Codec Company Information
7.10.2 Sonifex IP Audio Codec Product Portfolio
7.10.3 Sonifex IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.10.4 Sonifex Main Business and Markets Served
7.10.5 Sonifex Recent Developments/Updates
7.11 Technicolor
7.11.1 Technicolor IP Audio Codec Company Information
7.11.2 Technicolor IP Audio Codec Product Portfolio
7.11.3 Technicolor IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.11.4 Technicolor Main Business and Markets Served
7.11.5 Technicolor Recent Developments/Updates
7.12 APT
7.12.1 APT IP Audio Codec Company Information
7.12.2 APT IP Audio Codec Product Portfolio
7.12.3 APT IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.12.4 APT Main Business and Markets Served
7.12.5 APT Recent Developments/Updates
7.13 Sound4
7.13.1 Sound4 IP Audio Codec Company Information
7.13.2 Sound4 IP Audio Codec Product Portfolio
7.13.3 Sound4 IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.13.4 Sound4 Main Business and Markets Served
7.13.5 Sound4 Recent Developments/Updates
7.14 Arrakis
7.14.1 Arrakis IP Audio Codec Company Information
7.14.2 Arrakis IP Audio Codec Product Portfolio
7.14.3 Arrakis IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.14.4 Arrakis Main Business and Markets Served
7.14.5 Arrakis Recent Developments/Updates
7.15 2wcom
7.15.1 2wcom IP Audio Codec Company Information
7.15.2 2wcom IP Audio Codec Product Portfolio
7.15.3 2wcom IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.15.4 2wcom Main Business and Markets Served
7.15.5 2wcom Recent Developments/Updates
7.16 Prodys
7.16.1 Prodys IP Audio Codec Company Information
7.16.2 Prodys IP Audio Codec Product Portfolio
7.16.3 Prodys IP Audio Codec Production, Value, Price and Gross Margin (2020-2025)
7.16.4 Prodys Main Business and Markets Served
7.16.5 Prodys Recent Developments/Updates
8 Industry Chain and Sales Channels Analysis
8.1 IP Audio Codec Industry Chain Analysis
8.2 IP Audio Codec Raw Material Supply Analysis
8.2.1 Key Raw Materials
8.2.2 Raw Materials Key Suppliers
8.3 IP Audio Codec Production Mode & Process Analysis
8.4 IP Audio Codec Sales and Marketing
8.4.1 IP Audio Codec Sales Channels
8.4.2 IP Audio Codec Distributors
8.5 IP Audio Codec Customer Analysis
9 IP Audio Codec Market Dynamics
9.1 IP Audio Codec Industry Trends
9.2 IP Audio Codec Market Drivers
9.3 IP Audio Codec Market Challenges
9.4 IP Audio Codec Market Restraints
10 Research Findings and Conclusion
11 Methodology and Data Source
11.1 Methodology/Research Approach
11.1.1 Research Programs/Design
11.1.2 Market Size Estimation
11.1.3 Market Breakdown and Data Triangulation
11.2 Data Source
11.2.1 Secondary Sources
11.2.2 Primary Sources
11.3 Author List
11.4 Disclaimer
Barix
AEQ
EuroCaster
Tieline
Glensound
AxelTech
Maxim Integrated
Comrex
DEVA
Sonifex
Technicolor
APT
Sound4
Arrakis
2wcom
Prodys
听
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*If Applicable.