Global Web Comics Market Research Report 2024

Publication ID:

PB502244879

Publication Date:

February 26, 2024

Pages:

103

Publisher:

MRRPB5

Countries:

Global [1]

USD 2,900.00

IT Services [2]

Computing & Electronics [3]

Description:

Web comics, also known as online comics or digital comics, are comics that are primarily published on the internet. They are a digital form of sequential art, typically presented in a series of panels or strips, and are designed to be viewed and read on electronic devices such as computers, tablets, or smartphones.
The global Web Comics market was valued at US$ 7472.3 million in 2023 and is anticipated to reach US$ 10080 million by 2030, witnessing a CAGR of 5.1% during the forecast period 2024-2030.
The web comics market has seen a diversification of genres and themes. Creators are exploring various storytelling styles and tackling a wide range of topics, including slice-of-life, fantasy, science fiction, LGBTQ+ representation, mental health, social issues, and more. This allows for a broader appeal and attracts readers with different interests and backgrounds.
This report aims to provide a comprehensive presentation of the global market for Web Comics, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Web Comics.
Report Scope
The Web Comics market size, estimations, and forecasts are provided in terms of revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. This report segments the global Web Comics market comprehensively. Regional market sizes, concerning products by Type, by Application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Web Comics companies, new entrants, and industry chain related companies in this market with information on the revenues, sales volume, and average price for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
Market Segmentation
By Company
Naver
Kakao
Lezhin Entertainment
Tappytoon
ToryComics
Toomics Global
Ridibooks
KidariStudio
Webtoon Factory
Izneo Webtoon
Stela
Graphite
Webcomics
SPOTTOON
Mr Blue
Tencent Animation
Amazia
Shuueisha
Comico
Wicked
Segment by Type
Subscription Webcomic
Advertising Webcomic
Segment by Application
Mobile Phone
Laptop
Tablet
Others
By Region
North America
United States
Canada
Europe
Germany
France
UK
Italy
Russia
Nordic Countries
Rest of Europe
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by Type, by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Introduces executive summary of global market size, regional market size, this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter 3: Detailed analysis of Web Comics companies鈥� competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 4: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6, 7, 8, 9, 10: North America, Europe, Asia Pacific, Latin America, Middle East and Africa segment by country. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world.
Chapter 11: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 12: The main points and conclusions of the report.

Please Note - This is an on demand report and will be delivered in 2 business days (48 hours) post payment.

Table Of Contents:

1 Report Overview
1.1 Study Scope
1.2 Market Analysis by Type
1.2.1 Global Web Comics Market Size Growth Rate by Type: 2019 VS 2023 VS 2030
1.2.2 Subscription Webcomic
1.2.3 Advertising Webcomic
1.3 Market by Application
1.3.1 Global Web Comics Market Growth by Application: 2019 VS 2023 VS 2030
1.3.2 Mobile Phone
1.3.3 Laptop
1.3.4 Tablet
1.3.5 Others
1.4 Study Objectives
1.5 Years Considered
1.6 Years Considered
2 Global Growth Trends
2.1 Global Web Comics Market Perspective (2019-2030)
2.2 Web Comics Growth Trends by Region
2.2.1 Global Web Comics Market Size by Region: 2019 VS 2023 VS 2030
2.2.2 Web Comics Historic Market Size by Region (2019-2024)
2.2.3 Web Comics Forecasted Market Size by Region (2025-2030)
2.3 Web Comics Market Dynamics
2.3.1 Web Comics Industry Trends
2.3.2 Web Comics Market Drivers
2.3.3 Web Comics Market Challenges
2.3.4 Web Comics Market Restraints
3 Competition Landscape by Key Players
3.1 Global Top Web Comics Players by Revenue
3.1.1 Global Top Web Comics Players by Revenue (2019-2024)
3.1.2 Global Web Comics Revenue Market Share by Players (2019-2024)
3.2 Global Web Comics Market Share by Company Type (Tier 1, Tier 2, and Tier 3)
3.3 Players Covered: Ranking by Web Comics Revenue
3.4 Global Web Comics Market Concentration Ratio
3.4.1 Global Web Comics Market Concentration Ratio (CR5 and HHI)
3.4.2 Global Top 10 and Top 5 Companies by Web Comics Revenue in 2023
3.5 Web Comics Key Players Head office and Area Served
3.6 Key Players Web Comics Product Solution and Service
3.7 Date of Enter into Web Comics Market
3.8 Mergers & Acquisitions, Expansion Plans
4 Web Comics Breakdown Data by Type
4.1 Global Web Comics Historic Market Size by Type (2019-2024)
4.2 Global Web Comics Forecasted Market Size by Type (2025-2030)
5 Web Comics Breakdown Data by Application
5.1 Global Web Comics Historic Market Size by Application (2019-2024)
5.2 Global Web Comics Forecasted Market Size by Application (2025-2030)
6 North America
6.1 North America Web Comics Market Size (2019-2030)
6.2 North America Web Comics Market Growth Rate by Country: 2019 VS 2023 VS 2030
6.3 North America Web Comics Market Size by Country (2019-2024)
6.4 North America Web Comics Market Size by Country (2025-2030)
6.5 United States
6.6 Canada
7 Europe
7.1 Europe Web Comics Market Size (2019-2030)
7.2 Europe Web Comics Market Growth Rate by Country: 2019 VS 2023 VS 2030
7.3 Europe Web Comics Market Size by Country (2019-2024)
7.4 Europe Web Comics Market Size by Country (2025-2030)
7.5 Germany
7.6 France
7.7 U.K.
7.8 Italy
7.9 Russia
7.10 Nordic Countries
8 Asia-Pacific
8.1 Asia-Pacific Web Comics Market Size (2019-2030)
8.2 Asia-Pacific Web Comics Market Growth Rate by Region: 2019 VS 2023 VS 2030
8.3 Asia-Pacific Web Comics Market Size by Region (2019-2024)
8.4 Asia-Pacific Web Comics Market Size by Region (2025-2030)
8.5 China
8.6 Japan
8.7 South Korea
8.8 Southeast Asia
8.9 India
8.10 Australia
9 Latin America
9.1 Latin America Web Comics Market Size (2019-2030)
9.2 Latin America Web Comics Market Growth Rate by Country: 2019 VS 2023 VS 2030
9.3 Latin America Web Comics Market Size by Country (2019-2024)
9.4 Latin America Web Comics Market Size by Country (2025-2030)
9.5 Mexico
9.6 Brazil
10 Middle East & Africa
10.1 Middle East & Africa Web Comics Market Size (2019-2030)
10.2 Middle East & Africa Web Comics Market Growth Rate by Country: 2019 VS 2023 VS 2030
10.3 Middle East & Africa Web Comics Market Size by Country (2019-2024)
10.4 Middle East & Africa Web Comics Market Size by Country (2025-2030)
10.5 Turkey
10.6 Saudi Arabia
10.7 UAE
11 Key Players Profiles
11.1 Naver
11.1.1 Naver Company Detail
11.1.2 Naver Business Overview
11.1.3 Naver Web Comics Introduction
11.1.4 Naver Revenue in Web Comics Business (2019-2024)
11.1.5 Naver Recent Development
11.2 Kakao
11.2.1 Kakao Company Detail
11.2.2 Kakao Business Overview
11.2.3 Kakao Web Comics Introduction
11.2.4 Kakao Revenue in Web Comics Business (2019-2024)
11.2.5 Kakao Recent Development
11.3 Lezhin Entertainment
11.3.1 Lezhin Entertainment Company Detail
11.3.2 Lezhin Entertainment Business Overview
11.3.3 Lezhin Entertainment Web Comics Introduction
11.3.4 Lezhin Entertainment Revenue in Web Comics Business (2019-2024)
11.3.5 Lezhin Entertainment Recent Development
11.4 Tappytoon
11.4.1 Tappytoon Company Detail
11.4.2 Tappytoon Business Overview
11.4.3 Tappytoon Web Comics Introduction
11.4.4 Tappytoon Revenue in Web Comics Business (2019-2024)
11.4.5 Tappytoon Recent Development
11.5 ToryComics
11.5.1 ToryComics Company Detail
11.5.2 ToryComics Business Overview
11.5.3 ToryComics Web Comics Introduction
11.5.4 ToryComics Revenue in Web Comics Business (2019-2024)
11.5.5 ToryComics Recent Development
11.6 Toomics Global
11.6.1 Toomics Global Company Detail
11.6.2 Toomics Global Business Overview
11.6.3 Toomics Global Web Comics Introduction
11.6.4 Toomics Global Revenue in Web Comics Business (2019-2024)
11.6.5 Toomics Global Recent Development
11.7 Ridibooks
11.7.1 Ridibooks Company Detail
11.7.2 Ridibooks Business Overview
11.7.3 Ridibooks Web Comics Introduction
11.7.4 Ridibooks Revenue in Web Comics Business (2019-2024)
11.7.5 Ridibooks Recent Development
11.8 KidariStudio
11.8.1 KidariStudio Company Detail
11.8.2 KidariStudio Business Overview
11.8.3 KidariStudio Web Comics Introduction
11.8.4 KidariStudio Revenue in Web Comics Business (2019-2024)
11.8.5 KidariStudio Recent Development
11.9 Webtoon Factory
11.9.1 Webtoon Factory Company Detail
11.9.2 Webtoon Factory Business Overview
11.9.3 Webtoon Factory Web Comics Introduction
11.9.4 Webtoon Factory Revenue in Web Comics Business (2019-2024)
11.9.5 Webtoon Factory Recent Development
11.10 Izneo Webtoon
11.10.1 Izneo Webtoon Company Detail
11.10.2 Izneo Webtoon Business Overview
11.10.3 Izneo Webtoon Web Comics Introduction
11.10.4 Izneo Webtoon Revenue in Web Comics Business (2019-2024)
11.10.5 Izneo Webtoon Recent Development
11.11 Stela
11.11.1 Stela Company Detail
11.11.2 Stela Business Overview
11.11.3 Stela Web Comics Introduction
11.11.4 Stela Revenue in Web Comics Business (2019-2024)
11.11.5 Stela Recent Development
11.12 Graphite
11.12.1 Graphite Company Detail
11.12.2 Graphite Business Overview
11.12.3 Graphite Web Comics Introduction
11.12.4 Graphite Revenue in Web Comics Business (2019-2024)
11.12.5 Graphite Recent Development
11.13 Webcomics
11.13.1 Webcomics Company Detail
11.13.2 Webcomics Business Overview
11.13.3 Webcomics Web Comics Introduction
11.13.4 Webcomics Revenue in Web Comics Business (2019-2024)
11.13.5 Webcomics Recent Development
11.14 SPOTTOON
11.14.1 SPOTTOON Company Detail
11.14.2 SPOTTOON Business Overview
11.14.3 SPOTTOON Web Comics Introduction
11.14.4 SPOTTOON Revenue in Web Comics Business (2019-2024)
11.14.5 SPOTTOON Recent Development
11.15 Mr Blue
11.15.1 Mr Blue Company Detail
11.15.2 Mr Blue Business Overview
11.15.3 Mr Blue Web Comics Introduction
11.15.4 Mr Blue Revenue in Web Comics Business (2019-2024)
11.15.5 Mr Blue Recent Development
11.16 Tencent Animation
11.16.1 Tencent Animation Company Detail
11.16.2 Tencent Animation Business Overview
11.16.3 Tencent Animation Web Comics Introduction
11.16.4 Tencent Animation Revenue in Web Comics Business (2019-2024)
11.16.5 Tencent Animation Recent Development
11.17 Amazia
11.17.1 Amazia Company Detail
11.17.2 Amazia Business Overview
11.17.3 Amazia Web Comics Introduction
11.17.4 Amazia Revenue in Web Comics Business (2019-2024)
11.17.5 Amazia Recent Development
11.18 Shuueisha
11.18.1 Shuueisha Company Detail
11.18.2 Shuueisha Business Overview
11.18.3 Shuueisha Web Comics Introduction
11.18.4 Shuueisha Revenue in Web Comics Business (2019-2024)
11.18.5 Shuueisha Recent Development
11.19 Comico
11.19.1 Comico Company Detail
11.19.2 Comico Business Overview
11.19.3 Comico Web Comics Introduction
11.19.4 Comico Revenue in Web Comics Business (2019-2024)
11.19.5 Comico Recent Development
11.20 Wicked
11.20.1 Wicked Company Detail
11.20.2 Wicked Business Overview
11.20.3 Wicked Web Comics Introduction
11.20.4 Wicked Revenue in Web Comics Business (2019-2024)
11.20.5 Wicked Recent Development
12 Analyst's Viewpoints/Conclusions
13 Appendix
13.1 Research Methodology
13.1.1 Methodology/Research Approach
13.1.2 Data Source
13.2 Disclaimer
13.3 Author Details

Companies Mentioned:

Naver
Kakao
Lezhin Entertainment
Tappytoon
ToryComics
Toomics Global
Ridibooks
KidariStudio
Webtoon Factory
Izneo Webtoon
Stela
Graphite
Webcomics
SPOTTOON
Mr Blue
Tencent Animation
Amazia
Shuueisha
Comico
Wicked

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